GHOUL
GHOUL (V.O.)
My father was a French immigrant to
New York in 1912. The name he gave
me was Francis Goulle, but people
call me ... GHOUL.
FADE IN:
As the sound of SHOVELING fades ...
EXT. CATHEDRAL -- EVENING
Late evening, the spotlights are on the walls of the
cathedral. In the sky heavy, purplish clouds swirl just
fast enough to notice the movement.
ANGLE ON GHOUL
A man in his mid-thirties, neatly dressed in tan slacks and
sports jacket, stands near the door; he tilts backward,
looking up at the cathedral. One hand is in his pocket.
Now he looks at the impressive double-doors, shakes his head,
and heads up the steps.
GHOUL (V.O.)
I have a dead man's ring in my pocket.
This isn't the first time; this isn't
the first ring, the first dig. It
doesn't make me feel guilty. More
than anyone, I appreciate the dead.
As Ghoul passes an elderly couple descending the stairs, he
gives them a polite nod.
GHOUL (V.O.) (CONT'D)
But I do feel something, some emotion
I'm uncertain of. A mystery in me.
What is life if not a search to
uncover who you really are?
Ghoul stops in front of the doors; both hands in his pockets.
GHOUL (V.O.) (CONT'D)
I found the doors that opened up
onto my mind -- my real mind. A
mind as free with its horrors as it
is with its bliss.
But instead of the double doors, Ghoul crosses over to a
much smaller door to the side, and opens it.
GHOUL (V.O.) (CONT'D)
I have opened the door. I have been
... illuminated.
(MORE)
(CONTINUED)
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2.
GHOUL (V.O.) (CONT'D)
Now I face my demons; I seek out
their haunts. I am on a quest to
uncover all my saints and demons.
CUT TO:
INT. CATHEDRAL -- EVENING
P.O.V. GHOUL -- STAINED-GLASS WINDOWS
He stands there, glancing over the windows dimmed by the
evening light -- and subtly, the glass alive with candlelight
from the altar. Ghoul looks at each window as its pieces
rather than its whole, how each piece fits together,
meaningless in isolation.
GHOUL (V.O.) (CONT'D)
In the end, I hope to uncover all my
faces, all my aspects, so that I can
see my self as a whole.
Ghoul walks slowly down the isle. His right hand is extended;
there is a RING on his middle finger, which he CLICKS on
each pew as he passes.
CUT TO:
EXT. CATHEDRAL -- EVENING
ANGLE on the cathedral; in the FOREGROUND, taller than the
cathedral, loom the shadowed faces of gravestones.
GHOUL (V.O.) (CONT'D)
There is nothing so holy to a church
as its graveyard.
CUT TO:
INT. HARDWARE SUPERSTORE -- DAY